AVTF Engage - Study Guide

Using the restroom

"10-100!"

Get rid of something on set

"86 that!"

There is a distracting sound so we need to momentarily stop recording

"Hold for sound!"

Secure the set by stopping people from walking into the scene

"Lock it up!"

Camera is recording so everyone should be quiet

"Rolling!"

This assistant is concerned with supporting the camera department. They will adjust the focus of the lens and help set up the camera.

1st Assistant Camera (1st A.C.)

This assistant is in charge of running slate during production to help keep track of scenes, shots, and takes. They also spend a lot of time placing marks using colorful tape.

2nd Assistant Camera (2nd A.C.)

The second in command for the grip department has the same name as the second in command for the lighting department.

Best Boy/Girl

The second in command for the sound department is in charge of positioning a long pole with a microphone on the end of it.

Boom operator

This job is second in command of the camera department. They spend most of their time setting up, controlling, and breaking down the camera.

Camera operator

The process of adjusting highlights, shadows, midtones, and color themes belongs to this post production position.

Colorist

The leading creative artist on the film set that works directly with the actors on their performances. Often times, this position is involved in the production from start to finish.

Director

The head of the camera department makes decisions about camera set up and placement. They also spend a lot of time directing the lighting and grip departments.

Director of Photography

There can be MANY types of these on a film set and throughout all stages of production. Their primary duties involve managing the budget, hiring the cast and crew, and distributing the finished film.

Producer

This entry-level position is often assigned to the production department. In this position, workers need to use professional film language on the walkie talkies, fetch coffee for other departments, and clean up the set at the end of the day.

Production Assistant

There are normally two or three of these on a film set. They are in charge of managing cast and crew on behalf of the director. They may also be involved in creating the production schedule.

Assistant Director (A.D.)

The post production process of combining all shots and sounds together to create one cohesive movie or TV show is the job of one or more of these.

Editor

The post production process of recreating every day sounds for a film or television show is a job for this position.

Foley Artist

Also known as the chief lighting technician, this person is in charge of safely setting up lights while considering cables and power. They will set up lights based on instructions from the D.P.

Gaffer

The head of the grip department will adjust c-stands and scrims to diffuse and bounce light based on instructions from the D.P.

Key Grip

The head of the sound department is responsible for monitoring audio during production.

Sound Mixer

This post production department is responsible for compositing, rigging, rotoscoping, keying, tracking, and sometimes animation.

Visual Effects (VFX)