Chapter 28 - Impressionism, Post-Impressionism, Symbolism: Europe and America, 1870-1900

In Caillebotte's Paris: A Rainy Day, the setting is a junction of spacious boulevards, a result of the redesign of the city begun in ________ .

1852

Who conceived a building as a whole and molded it almost as a sculptor might shape a figure from clay?

Antonio Gaudi

The ________ style was influenced by the Arts and Crafts movement, as well as Japanese print designs and the expressive patterns of post-Impressionist artists.

Art Nouveau

Members of the ________ movement dedicated themselves to producing functional objects with high aesthetic value for a wide public.

Arts and Crafts

________ is a building that required broad, open, well-illuminated display spaces.

Carson, Pirie, Scott Building

The American artist ________ painted principally women and children with a combination of objectivity and genuine sentiment.

Cassatt

________ studied the photography of others, but also used the camera consistently to make preliminary studies for his own work.

Degas

________ produced both paintings and prints whose high emotional charge was a major source of inspiration for the German Expressionists in the early 20th century.

Edvard Munch

The ________ was built for the great exhibition in Paris in 1889 and was originally seen as a symbol of modern Paris.

Eiffel Tower

________ was a leading practitioner of the pictorial style in photography.

Gertrude Käsebier

Louis Sullivan expressed the interior's subdivision on the exterior in his ________ .

Guaranty (Prudential) Building

________ attempted to depict the incidental, momentary, and passing aspects of reality.

Impressionists

In Impression: Sunrise by ________ , the brushstrokes are clearly evident.

Monet

In Villa at the Seaside, ________ used the open brushwork and the plein air lighting characteristic of Impressionism.

Morisot

Who declared he wanted to "make of Impressionism something solid and enduring"?

Paul Cézanne

________ had its roots in Impressionist precepts and methods, but it was not stylistically homogeneous.

Post-Impressionism

The leading French sculptor of the later 19th century was ________ .

Rodin

Gustave Moreau, Odilon Redon, and Henri Rousseau were the leading ________ .

Symbolists

Who explored the capabilities of colors and distorted forms to express his emotions as he confronted nature?

Vincent van Gogh

In The Tub, Degas reveals his modernist exploration of the premises of painting by acknowledging the ________ .

picture's surface