Unit 02 Literary Terms and Academic Vocabulary
Dialect
A dialect is the language used by the people of a specific area, class, district, or any other group of people. The term dialect involves the spelling, sounds, grammar and pronunciation used by a particular group of people and it distinguishes them from other people around them. Dialect is a very powerful and common way of characterization, which elaborates the geographic and social background of any character.
Motivation
In literature, "motivation" is defined as a reason behind a character's specific action or behavior. This type of behavior is characterized by the character's own consent and willingness to do something. There are two types of motivation: one is intrinsic, while the other one is extrinsic. Intrinsic motivation is linked to personal pleasure, enjoyment and interest, while extrinsic motivation is linked to numerous other possibilities. Extrinsic motivation comes from some physical reward such as money, power, or lust. Intrinsic motivation, on the other hand, is inspired by some internal reward such as knowledge, pride, or spiritual or emotional peace or wellbeing, etc. Characters have some motivation for every action, as do people in real life. Therefore, the implicit or explicit reference to a motivation of a character makes the piece of literature seem closer to life and reality.
Foil
In literature, a foil is a character that shows qualities that are in contrast with the qualities of another character. The objective is to highlight the traits of the other character. The term foil, though generally being applied to a contrasting character, may also be used for any comparison that is drawn to portray a difference between two things. What we observe in literature very often is that a foil is a secondary character who contrasts with the major character to enhance the importance of the major character. The etymology of the term foil testifies the aforementioned assertion as the word is taken from the practice of backing gems with foil (tool), so that they shine more brightly.
Undertone
Undertone is an attitude that lies under the ostensible tone of a literary work. In simple words, it is an implied meaning that usually points towards the underlying theme of a work. It is because mostly writers do not express it directly as their attitude or theme; rather, they do it by using images or symbols. Therefore, sometimes it becomes difficult to identify undertones.
Vernacular
Vernacular is a literary genre that uses daily-used language in writing and speaking. It is different from written works, as they normally follow the formal variety of language. The word "vernacular" refers to writing or speaking of the public. We find the origin of vernacular literature during the Middle Ages, in various countries of Europe. In fact, Latin was the language of historical documents and religion, and ordinary people would not even speak it in Medieval Europe, like that of the Sanskrit language in India. However, the writers of vernacular language, such as Dante, Geoffrey Chaucer and Mark Twain. Dante Alighieri, diverged from this tendency by writing in the language of ordinary people. Vernacular vs. Dialect Vernacular is the use of ordinary, everyday, and plain language in speaking or writing, such as corn is a common name of a plant, and its scientific name is "maize," or "zea mays." Dialect is related to a particular region, geographical area, a particular social class, or an occupational group. Also, it uses a distinguished pronunciation, vocabulary, and grammar. For instance, people in Shanghai have a different pronunciation or dialect than those in Yunnan.
Dialogue
A dialogue is a literary technique in which writers employ two or more characters to be engaged in conversation with one another. In literature, it is a conversational passage, or a spoken or written exchange of conversation in a group, or between two persons directed towards a particular subject. The use of dialogues can be seen back in classical literature, especially in Plato's Republic. Several other philosophers also used this technique for rhetorical and argumentative purposes. Generally, it makes a literary work enjoyable and lively. Types of Dialogue There are two types of dialogue in literature: Inner Dialogue - In inner dialogue, the characters speak to themselves and reveal their personalities. To use inner dialogue, writers employ literary techniques like stream of consciousness or dramatic monologue. We often find such dialogues in the works of James Joyce, Virginia Wolf, and William Faulkner. Outer Dialogue - Outer dialogue is a simple conversation between two characters, used in almost all types of fictional works.
Double entendre
A double entendre is a literary device that can be defined as a phrase or a figure of speech that might have multiple senses, interpretations, or two different meanings, or which might be understood in two different ways. Oxford Dictionary says that it "conveys an indelicate meaning." The first meaning in double entendre is usually straightforward, while the second meaning is ironic, risqué, or inappropriate.
Flat character
A flat character is a type of character in fiction that does not change too much from the start of the narrative to its end. Flat characters are often said not to have any emotional depth. E. M. Foster has discussed some features of flat characters in his book, Aspects of the Novel. According to Foster, a flat character is a simple character, shown by the author as having just one or two qualities, which generally remain the same throughout the story, not undergoing significant growth or changes. The audience does not know much about these characters, because the writer does not provide detailed information about them. Characteristics of Flat Character The role of flat characters is to support the main character. They do not go through a substantial growth or transformation in the course of the narrative. They have recognizable characteristics that make them appear stereotypical. They are often referred to as one- or two-dimensional characters, usually having one perspective or point of view about life, things, or events.
Protagonist
A protagonist is the central character or leading figure in poetry, narrative, novel or any other story. A protagonist is sometimes a "hero" to the audience or readers. The word originally came from the Greek language, and in Greek drama it refers to the person who led the chorus. Later on, the word started being used as a term for the first actor in order of performance. Iago in Shakespeare's Othello could be identified as the protagonist of the novel because he played a central role in all the controversies of the play. The question here would be that, even though he was a central character, was he really the lead character too? This type of indistinctness generally results in completely different interpretations of whether the said character is a protagonist or not.
Round character
A round character in a novel, play, or story is a complex personality. Like real people, they have depth in feelings and passions. For instance, in the movie "Shrek," the main character says "'Ogres are like onions," which means that, what appears to them is not the only truth. Rather, there is something more inside them. Similarly, a round character has many layers of personality. Writers define a round character fully, both physically and mentally. It is the character with whom the audience can sympathize, associate with, or relate to, as he seems a character they might have seen in their real lives. Characteristics of a Round Character Round characters are major characters in a story, who encounter contradictory situations, and undergo transformation during this phase. Therefore, these characters do not remain the same throughout the narrative, making their traits difficult to identify from beginning until the end. These characters are more realistic, their personalities somewhat inconsistent. They are fully developed and show complex traits, like real people. Round characters are also known as "main characters," or "major characters," because they are suitable to surprise the readers in a very convincing manner. Major characters must be round characters to be believable.
Soliloquy
A soliloquy is a popular literary device often used in drama to reveal the innermost thoughts of a character. It is a great technique used to convey the progress of action of the play, by means of expressing a character's thoughts about a certain character or past, present, or upcoming event, while talking to himself without acknowledging the presence of any other person. The word soliloquy is derived from the Latin word solo, which means "to himself," and loquor, which means "I speak," respectively. A soliloquy is often used as a means of character revelation or character manifestation to the reader or the audience of the play. Due to a lack of time and space, it was sometimes considered essential to present information about the plot, and to expose the feelings and intentions of the characters. Historically, dramatists made extensive use of soliloquies in their plays, but it has become outdated, though some playwrights still use it in their plays. Soliloquy examples abound during the Elizabethan era. Soliloquy and Monologue Sometimes soliloquy is wrongly mixed up with monologue and aside. These two techniques are distinctly different from a soliloquy. Although, like soliloquy, a monologue is a speech, the purpose and presentation of both is different. In a monologue, a character usually makes a speech in the presence of other characters, while in a soliloquy, the character or speaker speaks to himself. By doing so, the character keeps these thoughts secret from the other characters of the play. An aside on the other hand, is a short comment by a character towards the audience, often for another character, but usually without his knowledge.
Static character
A static character is one that does not undergo inner changes, or undergoes a little change. It is a character that does not develop or grow, such as Sherlock Holmes and James Bond. In fact, this character does not develop the inner understanding to know how his environment is affecting him, or he does not understand that his actions have positive or negative impacts on others. The personality of this character remains the same at the end of the story as it appeared in the beginning. All his actions stay true and unchanged to his personality in-between the scenes. Difference Between Static and Flat Characters Static characters should not be confused or mixed up with flat, one-dimensional characters. Though neither changes as the story progresses, if a character remains unchanged, it does not mean that he is one-dimensional like a flat character. A static character can be perfectly interesting, like Sherlock Holmes, who is completely ingenious, eccentric, and sometimes jerky. He never changes, but the audience still loves him. Thus, a static character could be the protagonist too, and a flat character, on the other hand, only plays a side role in the story.
Cause and effect
A text structure that shows how or why one thing leads to another. The cause is the reason that an action takes place. The effect is the result or consequence of the cause. A cause can have more than one effect, and an effect may have several causes. Writers may explain causes only or effects only.
Voice
A voice in literature is the form or a format through which narrators tell their stories. It is prominent when a writer places himself herself into words, and provides a sense that the character is real person, conveying a specific message the writer intends to convey. In simple words, it is an author's individual writing style or point of view. When a writer engages personally with a topic, he imparts his personality to that piece of literature. This individual personality is different from other individual personalities, which other writers put into their own works. Thus, voice is a unique personality of a literary work. Depending upon the type of work, authors may use a single voice, or multiple voices. Types of Voice Though there are many types of voice, two are most commonly used: Author's Voice - Author's voice is the writer's particular style, which he employs in a particular story, or piece of writing. Character's Voice - A character's voice is the voice of the main character, how he views the world. It is a common narrative voice used with first and third person points of view. Here, the author uses a conscious person as a narrator in the story.
Character
All stories need certain necessary elements. Without these elements, literary works often fail to make sense. For instance, one of the essential elements of every story is a plot with a series of events. Another important element is a character. A character can be any person, a figure, an inanimate object, or animal. There are different types of characters, and each serves its unique function in a story or a piece of literature.
Audience
An Audience is the person for whom a writer writes, or composer composes. A writer uses a particular style of language, tone, and content according to what he knows about his audience. In simple words, audience refers to the spectators, listeners, and intended readers of a writing, performance, or speech. For instance, Stephenie Meyer's novel series, Twilight, has targeted primarily younger female audiences. Similarly, J. K Rowling's Harry Potter series became a blockbuster hit, with a target audience of youth, and adult fantasy fiction lovers.
Anti-hero
Anti-hero is a literary device used by writers for a prominent character in a play or book that has characteristics opposite to that of a conventional hero. The protagonist is generally admired for his bravery, strength, charm, or ingenuity, while an anti-hero is typically clumsy, unsolicited, unskilled, and has both good and bad qualities. Anti-hero is a literary device used by writers for a prominent character in a play or book that has characteristics opposite to that of a conventional hero. The protagonist is generally admired for his bravery, strength, charm, or ingenuity, while an anti-hero is typically clumsy, unsolicited, unskilled, and has both good and bad qualities.
Cadence
Cadence is derived from the Latin word cadentia, which means "a falling." It is the term used to signal the rising and falling of the voice when reading a literary piece. In poetry, it is the momentary changes in rhythm and pitch. Cadences help set the rhythmic pace of a literary piece. Types of Cadences Most of the cadence examples in literature Imperfect or half cadence - In poetry, a half cadence is a pause. Half cadence is represented with a comma, or a semi-colon, in poetry and prose. This rhythm does not sound final, and often the lines end with indecisive tension. Perfect or authentic cadence - Perfect cadence comes at the end of the phrase in a poem.
Characterization
Characterization is a literary device that is used step-by-step in literature to highlight and explain the details about a character in a story. It is in the initial stage in which the writer introduces the character with noticeable emergence. After introducing the character, the writer often talks about his behavior; then, as the story progresses, the thought-processes of the character.
Cliche
Cliché refers to an expression that has been overused to the extent that it loses its original meaning or novelty. A cliché may also refer to actions and events that are predictable because of some previous events. All examples of cliché are expressions that were once new and fresh. They won popularity in the public and hence have been used so extensively that such expressions now sound boring and at times irritating, due to the fact that they have lost their original color. For instance, the phrase "as red as a rose" must have been a fresh and innovative expression at some point in time, but today it is considered universally as a cliché, and does not make such an impact when used in everyday or formal writing. Expressions that are not Clichés It is important to keep in mind that constant reuse of expressions does not necessarily create a cliché. Typical expressions that are used almost at all times in formal ceremonies, festivals, courts, etc. are not considered cliché examples; rather they befit such occasions, and are regarded as more appropriate. Following are a few examples: "I second the motion" (Board or council meeting) "I now pronounce you man and wife" (Wedding Ceremony) "I do solemnly swear (or affirm) that I will faithfully execute the office of President of the United States, and will to the best of my ability, preserve, protect and defend the Constitution of the United States." (Oath-taking ceremony) "Happy Birthday!" Similarly, certain epithets like "reverend" and "father" are attached to the names of church officials. Besides, people of the royal family are addressed with epithets "Your Grace," "Your Highness," or "Your Royal Highness." Such expressions are part of proper etiquette, and do not fall under the category of cliché.
Connotation
Connotation refers to a meaning that is implied by a word apart from the thing which it describes explicitly. Words carry cultural and emotional associations or meanings, in addition to their literal meanings or denotations. For instance, "Wall Street" literally means a street situated in Lower Manhattan, but connotatively it refers to wealth and power. Positive and Negative Connotations Words may have positive or negative connotations that depend upon the social, cultural, and personal experiences of individuals. For example, the words childish, childlike and youthful have the same denotative, but different connotative, meanings. Childish and childlike have a negative connotation, as they refer to immature behavior of a person. Whereas, youthful implies that a person is lively and energetic.
Denotation
Denotation is generally defined as literal or dictionary meanings of a word in contrast to its connotative or associated meanings. Let us try to understand this term with the help of an example. If you search for the meaning of the word "dove" in a dictionary, you will see that its meaning is "a type of pigeon, a wild and domesticated bird having a heavy body and short legs." In literature, however, you frequently see "dove" used to mean a symbol of peace. Denotation and Connotation In literary works, we find it a common practice with writers to deviate from the dictionary meanings of words to create fresher ideas and images. Such deviations from the literal meanings are referred to as "figurative language," or "literary devices," e.g. metaphors, similes, personifications, hyperboles, understatements, paradoxes, and puns. Even in our daily conversation, we diverge from the dictionary meanings of words, preferring connotative or associated meanings of words in order to accurately convey our message. Below is a list of some common deviations from denotative meanings of words that we experience in our day-to-day life: Dog - suggests shamelessness or an ugly face. Dove - suggests peace or gentility. Home - suggests family, comfort, and security. Politician - suggests negative connotation of wickedness and insincerity Pushy - suggests someone is loud-mouthed and irritating. Mom and Dad - when used instead of "mother and father" suggest loving parents.
Diction
Diction can be defined as style of speaking or writing, determined by the choice of words by a speaker or a writer. Diction, or choice of words, often separates good writing from bad writing. It depends on a number of factors. Firstly, the word has to be right and accurate. Secondly, words should be appropriate to the context in which they are used. Lastly, the choice of words should be such that the listener or reader understands easily. Proper diction, or proper choice of words, is important to get the message across. On the other hand, the wrong choice of words can easily divert listeners or readers, which results in misinterpretation of the message intended to be conveyed. Types of Diction Individuals vary their diction depending on different contexts and settings. Therefore, we come across various types of diction. Formal diction - formal words are used in formal situations, such as press conferences and presentations. Informal diction - uses informal words and conversation, such as writing or talking to friends. Colloquial diction - uses words common in everyday speech, which may be different in different regions or communities. Slang diction - is the use of words that are newly coined, or even impolite.
Direct characterization
Direct characterization means the way an author or another character within the story describes or reveals a character, through the use of descriptive adjectives, epithets, or phrases. In other words, direct characterization happens when a writer reveals traits of a character in a straightforward manner, or through comments made by another character involved with him in the storyline.
Dramatic monologue
Dramatic monologue means self-conversation, speech or talks which includes interlocutor presented dramatically. It means a person, who is speaking to himself or someone else speaks to reveal specific intentions of his actions. However, in literature, it is a poetic form or a poem that presents the speech or conversation of a person in a dramatic manner. Features of a Dramatic Monologue A dramatic monologue has these common features in them. 1. A single person delivering a speech on one aspect of his life 2. The audience may or may not be present 3. Speaker reveals his temperament and character only through his speech Types of Dramatic Monologue There are three major types of dramatic monologues such as: 1. Romantic monologue 2. Philosophical and psychological monologue 3. Conversational monologue
Antagonist
In literature, an antagonist is a character, or a group of characters, which stands in opposition to the protagonist, which is the main character. The term "antagonist" comes from the Greek word antagonistēs, which means "opponent," "competitor," or "rival." It is common to refer to an antagonist as a villain (the bad guy), against whom a hero (the good guy) fights in order to save himself or others. In some cases, an antagonist may exist within the protagonist that causes an inner conflict or a moral conflict inside his mind. This inner conflict is a major theme of many literary works, such as Doctor Faustus, by Christopher Marlowe, Hamlet, by William Shakespeare, and A Portrait of an Artist as a Young Man, by James Joyce. Generally, an antagonist appears as a foil to the main character, embodying qualities that are in contrast with the qualities of the main character.
Colloquialism
In literature, colloquialism is the use of informal words, phrases, or even slang in a piece of writing. Colloquial expressions tend to sneak in as writers, being part of a society, are influenced by the way people speak in that society. Naturally, they are bound to add colloquial expressions to their vocabulary. However, writers use such expressions intentionally too, as it gives their works a sense of realism. For instance, in a fiction story depicting American society, a greeting "what's up?" between friends will seem more real and appropriate than the formal "How are you?" or "How do you do?" Colloquialism Examples in Everyday Life Colloquial expressions vary from region to region. Below is a list of some colloquialism examples of American origin: Bamboozle - to deceive Bo bananas, or go nuts - go insane or be very angry Wanna - want to Gonna - going to Y'all - you all Be blue - to be sad Buzz off - go away
Jargon
Jargon is a literary term that is defined as the use of specific phrases and words in a particular situation, profession, or trade. These specialized terms are used to convey hidden meanings accepted and understood in that field. Jargon examples are found in literary and non-literary pieces of writing. The use of jargon becomes essential in prose or verse or some technical pieces of writing, when the writer intends to convey something only to the readers who are aware of these terms. Therefore, jargon was taken in early times as a trade language, or as a language of a specific profession, as it is somewhat unintelligible for other people who do not belong to that particular profession. In fact, specific terms were developed to meet the needs of the group of people working within the same field or occupation. Jargon and Slang Jargon is sometimes wrongly confused with slang, and people often take it in the same sense but a difference is always there. Slang is a type of informal category of language developed within a certain community, and consists of words or phrases whose literal meanings are different than the actual meanings. Hence, it is not understood by people outside of that community or circle. Slang is more common in spoken language than written. Jargon, on the other hand, is broadly associated with a subject, occupation, or business that makes use of standard words or phrases, and frequently comprised of abbreviations, such as LOC (loss of consciousness), or TRO (temporary restraining order). However, unlike slang, its terms are developed and composed deliberately for the convenience of a specific profession, or section of society. We can see the difference in the two sentences given below. Did you hook up with him? (Slang) Getting on a soapbox (Jargon)
Dynamic character
Like a round character, a dynamic character also undergoes changes throughout the narrative, due to conflicts he encounters on his journey. A dynamic character faces trials and tribulations, and takes time to learn from his encounters, his experiences, and his mistakes, as well as from other characters. Sometimes a character learns a lesson, and gains maturity, such as Prince Hal in Shakespeare's Henry IV. Some characters discover mistakes in their points of view, and others discover important aspects of their own personalities, such as Neville Longbottom did in Harry Potter and the Sorcerer's Stone. All of these changes make a character dynamic, but they are implied changes, not stated outright. Difference between Dynamic and Round Character Though dynamic and round characters both undergo character development, there is a slight difference between them. The traits of a dynamic character are not described outright. Rather, his traits are referred to as they change over time. On the other hand, a round character's traits are complex, and described by the author. Round characters are dynamic as well, such as Hamlet.
Malapropism
Malapropism finds its origins in the French phrase mal a propos, which means "inappropriate." It is the use of an incorrect word in place of a similar-sounding word, which results in a nonsensical and humorous expression. The word malapropism comes from "Mrs. Malaprop," a character in Sheridan's comedy The Rivals, who has a habit of replacing words with incorrect and absurd utterances, producing a humorous effect. A miss-speech is considered malapropism when it sounds similar to the word it replaces, but has an entirely different meaning. For instance, replacing acute with obtuse is not a malapropism because the words have contrasting meanings, but do not sound similar. Using obtuse for abstruse, on the other hand, is a malapropism, as there is a difference in meanings, and both words sound similar. These characteristics makes malapropism different from other errors in speech, such as eggcorns and spoonerisms. Common Malapropism Examples Malapropism is a common phenomenon in our daily life. We find some hilarious Malapropism examples being quoted in the media.
Monologue
Monologue comes from the Greek words monos, which means "alone," and logos, which means "speech." It is a literary device that is the speech or verbal presentation given by a single character in order to express his or her collection of thoughts and ideas aloud. Often such a character speaks directly to audience, or to another character. Monologues are found in dramatic medium like films and plays, and also in non-dramatic medium like poetry. Types of Monologue There are two types of monologue: Interior Monologue In interior monologue, a character externalizes his thoughts, so that the audience can experience his internal thoughts. Often found in plays, movies, and novels, this technique is also called a "stream of consciousness." Internal monologue can be broken further into two categories: direct and indirect. In a direct interior monologue, an author does not show his presence, and directly reveals his character. In an indirect interior monologue, an author appears as a commentator, guide, presenter, and selector. Dramatic Monologue In this type of monologue, a character speaks to the silent listener. This type has theatrical qualities, hence, it is known as dramatic monologue, and is frequently used in poetry. Difference Between a Monologue and a Soliloquy Monologue and soliloquy are similar, as both are speeches presented by a single person. But a major difference between them is that, in monologue, the speaker reveals his thoughts to the audience, or to any other character; whereas in a soliloquy, the speaker expresses his thoughts to himself, and it does not involve any other characters.
Point of view
Point of view is the angle of considering things, which shows us the opinion or feelings of the individuals involved in a situation. In literature, point of view is the mode of narration that an author employs to let the readers "hear" and "see" what takes place in a story, poem, or essay. Point of view is a reflection of the opinion an individual from real life or fiction has. Examples of point of view belong to one of these three major kinds: 1. First person point of view involves the use of either of the two pronouns "I" or "we." "I felt like I was getting drowned with shame and disgrace." 2. Second person point of view employs the pronoun "you." "Sometimes you cannot clearly discern between anger and frustration." 3. Third person point of view uses pronouns like "he," "she," "it," "they," or a name. " Stewart is a principled man. He acts by the book and never lets you deceive him easily."
Euphemism
The term euphemism refers to polite, indirect expressions that replace words and phrases considered harsh and impolite, or which suggest something unpleasant. Euphemism is an idiomatic expression, which loses its literal meanings and refers to something else, in order to hide its unpleasantness. For example, "kick the bucket" is a euphemism that describes the death of a person. In addition, many organizations use the term "downsizing" for the distressing act of "firing" its employees.Euphemism depends largely on the social context of the speakers and writers, where they feel the need to replace certain words that may prove embarrassing for particular listeners or readers in a particular situation. Techniques for Creating Euphemism Euphemism masks a rude or impolite expression, but conveys the concept clearly and politely. Several techniques are employed to create euphemism. It may be in the form of abbreviations, such as O. (body odor), and W.C. (toilet). Foreign words may be used to replace an impolite expression, such as faux (fake), or faux pas (foolish error). Sometimes, they are abstractions, such as before I go (before I die). They may also be indirect expressions replacing direct ones that may sound offensive, such as rear-end (one's back side or buttocks), unmentionables (underwear or lingerie). Using longer words or phrases can also mask unpleasant words, such as flatulence (farting), perspiration (sweat), or mentally challenged (stupid). Using technical terms may reduce the rudeness exhibited by certain words, such as gluteus maximus (backside, butt, or buttocks). Deliberately mispronouncing an offensive word may reduce its severity, such as darn (damn), and shoot (shit).
Persona
The term persona has been derived from the Latin word persona, which means "the mask of an actor," and is therefore etymologically linked to the dramatis personae, which refers to the list of characters and cast in a play or a drama. It is also known as a "theatrical mask." It can be defined in a literary work as a voice or an assumed role of a character, which represents the thoughts of a writer, or a specific person the writer wants to present as his mouthpiece. Most of the time, the dramatis personae are identified with the writer, though sometimes a persona can be a character or an unknown narrator. Examples of persona are found, not only in dramas, but in poems and novels too.
Narrator
The voice telling a story.
Author
The writer of a literary work.
Indirect characterization
This is a more subtle way of introducing the character to the audience. The audience has to deduce for themselves the characteristics of the character by observing his/her thought process, behavior, speech, way of talking, appearance, and manner of communication with other characters, as well as by discerning the response of other characters.
Tone
Tone, in written composition, is an attitude of a writer toward a subject or an audience. Tone is generally conveyed through the choice of words, or the viewpoint of a writer on a particular subject. Every written piece comprises a central theme or subject matter. The manner in which a writer approaches this theme and subject is the tone. The tone can be formal, informal, serious, comic, sarcastic, sad, or cheerful, or it may be any other existing attitude. Consider the following examples of tone: "I want to ask the authorities what is the big deal? Why do they not control the epidemic? It is eating up lives like a monster." "I want to draw the attention of the appropriate authorities toward damage caused by the epidemic. If steps are not taken to curb it, it will further injure our community." The theme of both tone examples is the same. The only way we can differentiate between them is their separate tone. The tone in the first example is casual or informal while, it is more formal in the second. Tone Examples in Common Speech We adopt a variety of tones in our day-to-day speech. This intonation of our speech determines what message we desire to convey. Read a few examples below:
Slang
Words that are not a part of standard vocabulary or language, and which are used informally, are called "slang." These words are more commonly used in speech than in writing. Every culture and every region across the globe has its own slang. Some of these include American slang, Costa Rican slang, Spanish slang and South African slang. European English regions, such as Wales, Ireland, and Scotland also have their own slang.
