Interior Design Chapters 4-6 and 1 Munsell

balusters

The upright supports for the handrail are called _____________. They must be spaced close enough to prevent toddlers from falling through the supports.

b

The value of any hue can be lowered when _____ is added A. White B. Black

a

The value of any hue can be lowered when black or another darkening agent is added; this is called a ______. A. Shade B. Tint C. Tone

a

The value of any hue can be raised by adding ________ A. White B. Black

b

The value of any hue can be raised by adding white; this forms a ______. A. Shade B. Tint C. Tone

header

The vertical walls are formed by 2x4 or 2x6 studs. Rough openings in the wall are made for doors and windows. A _____ is placed over the openings to transfer the load to a supporting stud.

Primary

Theoretically, with five tubes of paint-- the three primaries plus black and white-- one could produce the entire range of colors, although the degree of precision needed makes this almost impossible. By using the ___ colors, however the twelve colors of the complete wheel can be derived.

a

There are _____ primary colors A. 3 B. 6 C. 9 D. 12

a

There are ______ secondary colors A. 3 B. 6 C. 9 D. 12

b

There are _______ tertiary colors A. 3 B. 6 C. 9 D. 12

b a

For example, a ____ of red is PINK; a ____ of red is BURGANDY. (___ ___) A. Shade B. Tint C. Tone

b

A ____ color, or intermediary color, is created by mixing equal amounts of a primary color and a secondary color. A. Secondary B. Tertiary

c

A ____ is formed by adding both black and white to a hue. These grayed hues are extremely useful in creating color schemes in which muted tones are necessary to tone down the brighter hues. A. Shade B. Tint C. Tone

Section

A ______ is a cut-through view of a building indicating appropriate framing and construction. They may also be cut-through interior walls or cabinets.

balustrade

A ______ is the handrail together with the balusters.

schedule

A _______ is a table that indicates the material to be used in a specific building process, such as a chart indicating window and door information. They also may be used to list hardware for windows and doors, as well as finish materials for floors, ceilings, and walls.

banister

A handrail, or _______ is usually mounted at 34" above the steps.

34

A handrail, or banister is usually mounted at _____" above the steps.

footings

After the initial site work is complete and the initial hole is dug, careful measurements are made and forms are placed to hold the concrete that will be poured to form the ______. _____ are the structural foundation of the building. In colder climates, _____ must be placed below the frost line.

Shibui

American architect Frank Lloyd Wright greatly admired the _____ design philosophy and incorporated its concepts into many of his works.

white light

Artificial lighting that is designed to mimic the sun's light is called _____ _____.

a

COLOR APPLICATION ON CEILING: If the objective is to have the wall and ceiling look the same, the ceiling should be a ____ of the wall color, because the reflection from the walls and floor tends to make the ceiling look several shades darker than it actually is. A. Tint B. Shade

e

Color can have psychological effects; it can lighten a room or create a subdued mood. Color's elemental partner, ________, can do the same thing. A. Space B. Line C. Shape and Mass D. Texture E. Light F. Color G. Pattern

b

Color distribution can be achieved in two major ways: Many successful rooms are planned around one ______ hue. This color need not be used on all major pieces of furniture, but it should be repeated at least once to give the feeling of unity. Unity may also be achieved by using colors containing one hue common to all. A. Chromatic B. Dominant

a

Color distribution can be achieved in two major ways: Planned value distribution is a necessary step. Each room can be enhanced with some light, some dark, and some medium values used in varying amounts according to the effect desired. In most cases the darkest values are used int he smallest amounts, and the less intense or more neutralized hues used in the large areas. The remaining areas are in medium values. This application of values is called the law of ______ distribution A. Chromatic B. Dominant

d

Colors falling midway between warm and cool color groups, such as beige, brown, taupe, cream, iviory, off-black, and off-white, are called ___________ colors. A. Cool B. Warm C. Neutral D. Neutralized

c

Computer applications can accurately combine and reproduce approximately 16 million colors, showing such criteria such as light reflection and textural effects, and can even deal with ____ -- the tendency of samples that match under one light to appear mismatched under a different light. Printouts can show how specific colors will appear in a particular setting. A. Achromatic B. Justaposition C. Metamerism

f

Designers agree that ________ is the most vital and expressive of the elements of design. A. Space B. Line C. Shape and Mass D. Texture E. Light F. Color G. Pattern

t

Designers can show clients the colors and elements they want to use in 3 different ways: 1. A chart using approximate proportions of various elements such as walls, floors, ceilings, furniture, and accents is developed. 2. A setup with actual samples of all items to be used, in approximate proportions, is assembled. 3. Many professional designers develop presententation boards that include rendered floor plans, elevations, and perspectives of the interior. T/F

a

Equal amounts of any two of the primary colors result in a _____ color. A. Secondary B. Tertiary

b

If ____ colors are used in strong intensity in large areas, they can cause people to feel irritable. A. Cool B. Warm C. Neutral D. Neutralized

sillplate

In wood frame construction, the first item to be framed is the floor. A _____ secures the floor to the foundation. Horizontal wood members are attached to the ___, and a subfloor is laid over the top.

c b a

Light affects the colors we see. In bright afternoon sun, colors are ______. In evening sunsets, red and orange tones cast a ______. In candlelight or moonlight, colors are ________. (___ ___ ___) A. muted and dulled B. warm glow C. crisp and clear

electromagnetic spectrum

Light is a form of energy that is part of the __________.

b

Living areas, boardrooms, or conference rooms used for more formal purposes generally have ______ color schemes that tend to produce an atmosphere of tranquility. A. Primary B. Neutralized C. Complementary

h

Psychological and Physiological associations with BLACK (neutral color -- Achromatic) and OFF-BLACK (Black-Brown Neutralized Color) are: A. Cowardice, deceit, sunlight, optimism, warmth, enlightenment, and communication B. Cheerfulness, stimulation, sunset, excitement. With some tones, it may appear cool or refreshing C. Courage, passion, love, excitement, danger, martyrdom, anger, fire, strength D. Honesty, truth, loyalty, masculinity, formality, repose, tranquility, sobriety, sky, depth of sea E. Nature, serenity, hope, envy, safety, peace, passivity, security F. Royalty, nobility, snobbery, power, drama, opulence, mystery, worship, dignity G. Purity, cleanliness, sterility, sophistication, freshness H. Mourning, sorrow, depression, sophistication, mystery, magic, night I. Penance, gloom, storm, fog, depression, wisdom, intelligence, business, high-tech, sophistication J. Earth, wood, warmth, comfort, security, support, stability

j

Psychological and Physiological associations with BROWN (Neutralized Color) are: A. Cowardice, deceit, sunlight, optimism, warmth, enlightenment, and communication B. Cheerfulness, stimulation, sunset, excitement. With some tones, it may appear cool or refreshing C. Courage, passion, love, excitement, danger, martyrdom, anger, fire, strength D. Honesty, truth, loyalty, masculinity, formality, repose, tranquility, sobriety, sky, depth of sea E. Nature, serenity, hope, envy, safety, peace, passivity, security F. Royalty, nobility, snobbery, power, drama, opulence, mystery, worship, dignity G. Purity, cleanliness, sterility, sophistication, freshness H. Mourning, sorrow, depression, sophistication, mystery, magic, night I. Penance, gloom, storm, fog, depression, wisdom, intelligence, business, high-tech, sophistication J. Earth, wood, warmth, comfort, security, support, stability

i

Psychological and Physiological associations with GRAY (neutral color -- Achromatic) are: A. Cowardice, deceit, sunlight, optimism, warmth, enlightenment, and communication B. Cheerfulness, stimulation, sunset, excitement. With some tones, it may appear cool or refreshing C. Courage, passion, love, excitement, danger, martyrdom, anger, fire, strength D. Honesty, truth, loyalty, masculinity, formality, repose, tranquility, sobriety, sky, depth of sea E. Nature, serenity, hope, envy, safety, peace, passivity, security F. Royalty, nobility, snobbery, power, drama, opulence, mystery, worship, dignity G. Purity, cleanliness, sterility, sophistication, freshness H. Mourning, sorrow, depression, sophistication, mystery, magic, night I. Penance, gloom, storm, fog, depression, wisdom, intelligence, business, high-tech, sophistication J. Earth, wood, warmth, comfort, security, support, stability

d

Psychological and Physiological associations with the BLUE (cool group-- Primary Color) are: A. Cowardice, deceit, sunlight, optimism, warmth, enlightenment, and communication B. Cheerfulness, stimulation, sunset, excitement. With some tones, it may appear cool or refreshing C. Courage, passion, love, excitement, danger, martyrdom, anger, fire, strength D. Honesty, truth, loyalty, masculinity, formality, repose, tranquility, sobriety, sky, depth of sea E. Nature, serenity, hope, envy, safety, peace, passivity, security F. Royalty, nobility, snobbery, power, drama, opulence, mystery, worship, dignity G. Purity, cleanliness, sterility, sophistication, freshness H. Mourning, sorrow, depression, sophistication, mystery, magic, night I. Penance, gloom, storm, fog, depression, wisdom, intelligence, business, high-tech, sophistication J. Earth, wood, warmth, comfort, security, support, stability

e

Psychological and Physiological associations with the GREEN (cool group-- Secondary Color) are: A. Cowardice, deceit, sunlight, optimism, warmth, enlightenment, and communication B. Cheerfulness, stimulation, sunset, excitement. With some tones, it may appear cool or refreshing C. Courage, passion, love, excitement, danger, martyrdom, anger, fire, strength D. Honesty, truth, loyalty, masculinity, formality, repose, tranquility, sobriety, sky, depth of sea E. Nature, serenity, hope, envy, safety, peace, passivity, security F. Royalty, nobility, snobbery, power, drama, opulence, mystery, worship, dignity G. Purity, cleanliness, sterility, sophistication, freshness H. Mourning, sorrow, depression, sophistication, mystery, magic, night I. Penance, gloom, storm, fog, depression, wisdom, intelligence, business, high-tech, sophistication J. Earth, wood, warmth, comfort, security, support, stability

b

Psychological and Physiological associations with the ORANGE (warm group-- Secondary Color) are: A. Cowardice, deceit, sunlight, optimism, warmth, enlightenment, and communication B. Cheerfulness, stimulation, sunset, excitement. With some tones, it may appear cool or refreshing C. Courage, passion, love, excitement, danger, martyrdom, anger, fire, strength D. Honesty, truth, loyalty, masculinity, formality, repose, tranquility, sobriety, sky, depth of sea E. Nature, serenity, hope, envy, safety, peace, passivity, security F. Royalty, nobility, snobbery, power, drama, opulence, mystery, worship, dignity G. Purity, cleanliness, sterility, sophistication, freshness H. Mourning, sorrow, depression, sophistication, mystery, magic, night I. Penance, gloom, storm, fog, depression, wisdom, intelligence, business, high-tech, sophistication J. Earth, wood, warmth, comfort, security, support, stability

f

Psychological and Physiological associations with the PURPLE (cool group-- Secondary Color) are: A. Cowardice, deceit, sunlight, optimism, warmth, enlightenment, and communication B. Cheerfulness, stimulation, sunset, excitement. With some tones, it may appear cool or refreshing C. Courage, passion, love, excitement, danger, martyrdom, anger, fire, strength D. Honesty, truth, loyalty, masculinity, formality, repose, tranquility, sobriety, sky, depth of sea E. Nature, serenity, hope, envy, safety, peace, passivity, security F. Royalty, nobility, snobbery, power, drama, opulence, mystery, worship, dignity G. Purity, cleanliness, sterility, sophistication, freshness H. Mourning, sorrow, depression, sophistication, mystery, magic, night I. Penance, gloom, storm, fog, depression, wisdom, intelligence, business, high-tech, sophistication J. Earth, wood, warmth, comfort, security, support, stability

c

Psychological and Physiological associations with the RED (warm group-- Primary Color) are: A. Cowardice, deceit, sunlight, optimism, warmth, enlightenment, and communication B. Cheerfulness, stimulation, sunset, excitement. With some tones, it may appear cool or refreshing C. Courage, passion, love, excitement, danger, martyrdom, anger, fire, strength D. Honesty, truth, loyalty, masculinity, formality, repose, tranquility, sobriety, sky, depth of sea E. Nature, serenity, hope, envy, safety, peace, passivity, security F. Royalty, nobility, snobbery, power, drama, opulence, mystery, worship, dignity G. Purity, cleanliness, sterility, sophistication, freshness H. Mourning, sorrow, depression, sophistication, mystery, magic, night I. Penance, gloom, storm, fog, depression, wisdom, intelligence, business, high-tech, sophistication J. Earth, wood, warmth, comfort, security, support, stability

g

Psychological and Physiological associations with the WHITE (neutral color -- Achromatic) and OFF-WHITE (Neutralized Color) are: A. Cowardice, deceit, sunlight, optimism, warmth, enlightenment, and communication B. Cheerfulness, stimulation, sunset, excitement. With some tones, it may appear cool or refreshing C. Courage, passion, love, excitement, danger, martyrdom, anger, fire, strength D. Honesty, truth, loyalty, masculinity, formality, repose, tranquility, sobriety, sky, depth of sea E. Nature, serenity, hope, envy, safety, peace, passivity, security F. Royalty, nobility, snobbery, power, drama, opulence, mystery, worship, dignity G. Purity, cleanliness, sterility, sophistication, freshness H. Mourning, sorrow, depression, sophistication, mystery, magic, night I. Penance, gloom, storm, fog, depression, wisdom, intelligence, business, high-tech, sophistication J. Earth, wood, warmth, comfort, security, support, stability

a

Psychological and Physiological associations with the YELLOW (warm group-- Primary Color) are: A. Cowardice, deceit, sunlight, optimism, warmth, enlightenment, and communication B. Cheerfulness, stimulation, sunset, excitement. With some tones, it may appear cool or refreshing C. Courage, passion, love, excitement, danger, martyrdom, anger, fire, strength D. Honesty, truth, loyalty, masculinity, formality, repose, tranquility, sobriety, sky, depth of sea E. Nature, serenity, hope, envy, safety, peace, passivity, security F. Royalty, nobility, snobbery, power, drama, opulence, mystery, worship, dignity G. Purity, cleanliness, sterility, sophistication, freshness H. Mourning, sorrow, depression, sophistication, mystery, magic, night I. Penance, gloom, storm, fog, depression, wisdom, intelligence, business, high-tech, sophistication J. Earth, wood, warmth, comfort, security, support, stability

a

Soft neutralized hues are generally reserved for a more _______ atmosphere. A. Formal B. Informal

b

Strong Chroma tends to create the feeling of _________. A. Formality B. Informality

a

Strong chroma visually _____ objects. A. enlarges B. reduces

c

Technically, _________ colors are gray, white, and black because they are without an identifiable hue. A. Cool B. Warm C. Neutral D. Neutralized

b d f h j l

The 6 tertiary colors on the color wheel are: (___ ___ ___ ___ ___ ___) A. Red B. Red-orange C. Orange D. Yellow-Orange E. Yellow F. Yellow-Green G. Green H. Blue-Green I. Blue J. Blue-Violet K. Violet L. Red Violet

Feng Shui

The ___ color scheme is based on several ancient chinese philosophies and practices. One such system, the compass mythology, is rooted in the PaKua (pa gwa), an eight-sided symbol that corresponds to the four compass directions and their subdirections.

h

The ______ color scheme is another three-color contrasting scheme. The ____ is made up of any three colors that are equidistant on the color wheel. These colors may be sharp in contrast, using strong chroma such as the three primaries-- red, yellow, and blue, or red-orange, yellow-green, and blue-violet-- or they may be neutralized, raised or lowered in value to produce a tranquil scheme. A. Achromatic B. Analogous C. Complementary D. Monotone E. Monochromatic F. Direct Complement G. Split Complement H. Triad Complement

a

The ______ colors are blue, blue-green, green, violet, and blue-violet A. Cool B. Warm C. Neutral D. Neutralized

a

The _______ colors on the spectrum include red, red-orange, orange, yellow-orange, and yellow. A. Warm B. Cool C. Neutral

subtractive

The color that we actually see in an object is the color of light that is not absorbed by the object, but reflected into the eye from the object's surface. A particular surface absorbs or reflects a color of the spectrum depending on its composition. This is referred to as _____ color.

Brewster Palette Prang

The color wheel theory of color is known as the ____, theory, the _____ theory, or the _____ color theory. It is the simplest and best known of the color theories or systems. (ALPHABETICAL ORDER) (___ ___ ___)

pigment

The colors in objects are referred to as ______ colors. _____s are various substances that can be ground into fine powder and used for coloring dyes and paints. _____ are combined to produce certain colors, such as when red and yellow are mixed to obtain orange.

Shibui

The following are ideas incorporated in achieving a ________ effect: -- Pattern and texture in nature are everywhere, but they have to be discovered through close examination. -- The ____ concept of color is based on nature. Colors found in the largest areas are quiet and undemanding (neutralized). Bright, vibrant colors are found in a small proportion. -- Nature has thousands of colors, but none of them match or are uniform. In nature the darker, more solid colors occur underfoot. As one looks upward, colors become lighter and more delicate. -- Most of the natural landscape shows a matte finish with little shininess or glitter, such as the sun sparkling on a ripple in a stream. -- No two patterns are identical, yet unity prevails. Although natural colors, textures, and patterns appear simple, on close scrutiny they prove highly complex.

a

The longest wavelengths form the __________. A. Reds B. Oranges C. Yellows D. Greens E. Blues F. Violets

critical path

The process of building or remodeling a structure has several steps. The ___ ___ is a timetable (or schedule) that charts this process. For example, a small remodeling job may require only four or five weeks to complete, whereas a typical residence may take four or five months; a large commercial building may take one to three years to finish.

f

The shortest wavelengths form the ________. A. Reds B. Oranges C. Yellows D. Greens E. Blues F. Violets

e

The source of color is ______. A. Space B. Line C. Shape and Mass D. Texture E. Light F. Color G. Pattern

tread riser

The stairway consists of the horizontal portion called the _____, and the vertical portion, called the _______. (___ ___)

primary

The standard color wheel system is based on three ___ colors: yellow, red, and blue. _____ means that the colors cannot be mixed from other pigments, nor can they be broken down into component colors.

c g k

The three SECONDARY colors on the color wheel are: (___ ___ ___) A. Red B. Red-orange C. Orange D. Yellow-Orange E. Yellow F. Yellow-Green G. Green H. Blue-Green I. Blue J. Blue-Violet K. Violet L. Red Violet

c

Value is the degree of luminosity, or lightness or darkness of a hue in relation to black and white. Nine such gradations are easily visible to the eye. There are 3 High value gradations, 3 Medium value gradations, and 3 Low value gradations. The first three gradations, starting at white are _____ gradations. A. Low B. Medium C. High

a

Value is the degree of luminosity, or lightness or darkness of a hue in relation to black and white. Nine such gradations are easily visible to the eye. There are 3 High value gradations, 3 Medium value gradations, and 3 Low value gradations. The last three gradations, ending at black are _____ gradations. A. Low B. Medium C. High

b

Value is the degree of luminosity, or lightness or darkness of a hue in relation to black and white. Nine such gradations are easily visible to the eye. There are 3 High value gradations, 3 Medium value gradations, and 3 Low value gradations. The middle three gradations, that are all gray are _____ gradations. A. Low B. Medium C. High

color wheel

Warm and cool colors can be distinguished most easily by using the standard _____ _____.

b

When selecting a wall color from a small color chip, it is best to choose a color several tints ______ than the color desired for the completed room. A. Darker B. Lighter

relate

Whenever two rooms adjoin, their colors should _____.

b

___ colors are considered engaging, active, positive, cheery, cozy, and stimulating. A. Cool B. Warm C. Neutral D. Neutralized

Contract Documents

____ ____ consist of construction drawings and a set of written specifications defining the quality of materials and craftsmanship.

f

____ are drawings of the walls. Exterior ______ delineate the outside of the building and define finish materials, as well as heights and locations of exterior components. Interior ______ are necessary to show custom cabinet or wall designs. A. Floor B. Foundation C. Site, grading, and landscape D. Lighting E. Finish F. Elevations

a

____ colored rooms may be perceived as cold and unfriendly, and may lack variety. A. Cool B. Warm C. Neutral D. Neutralized

A

____ colors are generally felt to be relaxing, restful, and soothing. A. Cool B. Warm C. Neutral D. Neutralized

b

_____ color schemes are produced from any segment of colors that are side by side but contain no more than half the colors on the standard color wheel (3). A. Achromatic B. Analogous C. Complementary D. Monotone E. Monochromatic F. Direct Complement G. Split Complement H. Triad Complement

d c d

_____ colors are generally important to every color scheme. However, if not used effectively, ______ and ______ colors can produce feelings of boredom and weeriness. (___ ___ ___) A. Cool B. Warm C. Neutral D. Neutralized

c

_____ colors are often called "achromatic" which in Greek means "without color." A. Cool B. Warm C. Neutral D. Neutralized

b

_____ colors tend to advance and can ENCLOSE space. A. Cool B. Warm C. Neutral D. Neutralized

b

_____ is the DEGREE OF SATURATION of pure color. It describes the brightness or dullness and strength or weakness of the pure color that a hue contains. A. Hue B. Intensity or chroma C. Value

b

_____ is universally accepted as sign of nature, freshness, or ecology. _____ Day in Japan is celebrated for the Emperor Hirohito because he loved gardens. To muslims _____ is a sacred color, and to the Celtics _____ was associated with fertility. A. Blue B. Green C. Yellow D. Red E. White

a

_____ plans are critical to the designer. These plans define locations of walls, doors, windows, and other built-in components such as cabinets, built-in shelving, stairs, and kitchen and bathroom fixtures. A. Floor B. Foundation C. Site, grading, and landscape D. Lighting E. Finish F. Elevations

e

______ affects the colors we see. In bright afternoon sun, colors are crisp and clear. In evening sunsets, red and orange tones cast a warm glow. In candlelight or moonlight, colors are muted and dulled. A. Space B. Line C. Shape and Mass D. Texture E. Light F. Color G. Pattern

g

______ color schemes are three-color schemes composed of any hue plus the two hues next to its complement. For example, if yellow is selected as the dominant color, red-violet and blue-violet are the complementary colors. A. Achromatic B. Analogous C. Complementary D. Monotone E. Monochromatic F. Direct Complement G. Split Complement H. Triad Complement

Color

______ has three dimensions: hue, value, and intensity or chroma

d

______ plans may be produced by designers in collaboration with engineers. They are different from other plans because they are drawn as if looking up at the ceiling. A. Floor B. Foundation C. Site, grading, and landscape D. Lighting E. Finish F. Elevations

a

_______ colors recede and tend to EXPAND space. A. Cool B. Warm C. Neutral D. Neutralized

Shibui

_______ expresses in one word the Japanese approach to beauty as well as the intrinsic nature of Japanese culture. It suggests an appreciation of serenity and protest against ostentation. Belief in the power of the understated and unobtrusive dominates this sophisticated philosophy.

c

_______ is the degree of luminosity, or lightness or darkness of a hue in relation to black and white. A. Hue B. Intensity or chroma C. Value

f

_______ is the simplest of the contrasting color schemes, and is formed by any two colors that lie directly opposite each other on the color wheel. A. Achromatic B. Analogous C. Complementary D. Monotone E. Monochromatic F. Direct Complement G. Split Complement H. Triad Complement

e

_______ plans drawn by designers, define what as well as where finishes are placed on floors, walls, and ceilings. A. Floor B. Foundation C. Site, grading, and landscape D. Lighting E. Finish F. Elevations

a

_______, or the color name, is a singular characteristic that sets each color apart from all the others. A color may be lightened or darkened, made more intense or less intense. If blue is the _____ used, the result will be light blue, dark blue, bright blue, or gray-blue, but each will be of a blue ____. In all, about 150 variations of full chroma of _____ exist, of which only 24 basic ____ of full chroma have enough variation to be of practical use. (ONE ANSWER) A. Hue B. Intensity or chroma C. Value

a

________ color schemes are created by utilizing black, white, or variations of gray. It contains no identifiable hue, only values. Accent colors in art or foliage may enhance these interiors, but do not affect the color scheme. A. Achromatic B. Analogous C. Complementary D. Monotone E. Monochromatic F. Direct Complement G. Split Complement H. Triad Complement

Color

________ creates powerful psychological and physiological (or physical) effects. Psychological effects are sensed in the mind; physiological effects actually cause a change in the body.

b

________ plan for residences may also show the location of HBAC and plumbing lines. A. Floor B. Foundation C. Site, grading, and landscape D. Lighting E. Finish F. Elevations

c

________ plans, although rarely used by the designer, are helpful in orienting the design to the landscape and the direction of the sun. A. Floor B. Foundation C. Site, grading, and landscape D. Lighting E. Finish F. Elevations

c

a variety of color systems have been produced, each based on a different group of basic colors. The three most common are: _________, based on four principal hues: yellow, red, blue, and green, plus black and white. A. The Brewster, Prang, or Palette system B. The Munsell system C. The Ostwald system

a

a variety of color systems have been produced, each based on a different group of basic colors. The three most common are: _________, based on the three primary colors: yellow, red, and blue. A. The Brewster, Prang, or Palette system B. The Munsell system C. The Ostwald system

b

a variety of color systems have been produced, each based on a different group of basic colors. The three most common are: _________, which begins with five hues: yellow, red, blue, green, and purple. A. The Brewster, Prang, or Palette system B. The Munsell system C. The Ostwald system