Ch. The 17th and 18th Centuries

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In comparison to Baroque style, Rococo style architecture, such as Francois Cuvilles the Elder's Mirror Room in Amallenburg is

- smaller and more intimate - lighthearted and playful

Which of the following characteristic were common in religious paintings of the 17th century?

- strong contrast of light areas and shadows - emphasis on emotions - intense theatricality

Which of the following was the court painter for the Spanish King Phillip IV?

Diego Velazquez

True or False: Women could not succeed as professional artist during the Baroque era.

False

The subject matter of Nicholas Poussin's The Ashes of Phokion is

a famous Classical Athenian general

Who was Jean Paul Marat, the subject of Jacques Louis David's painting The Death of Marat?

a radical revolutionary leader responsible for the execution of hundred of royalists

Baroque architects created surfaces and facades with plasticity which meant that they

appeared to be modeled like clay

In Self-Portrait with Saskia in the Parable of the Prodigal Son, Rembrandt uses _________, a technique he learned from his Italian influenced teacher Lastman.

dramatic lighting

In the academies, the highest form of art was

history paintings

The development of what genre at the end of the 17th century corresponded in part with the growing popularity of secular art?

landscape

Unlike the Renaissance architects who based their designs on the circle or the square, Francesco Borromini's Baroque designs incorporated subtler forms, such as the _______.

oval

In contrast to the emotional and theatrical quality of Baroque art, Rococo art was

playful and lighthearted

In Entombment of Christ, Caravaggio uses high contrast of light foreground and dark background to

push the foreground characters into our space

The prominence of Protestantism during the 17th century in the Netherlands meant that

religious imagery and ornate churches were less prominent

King Louis XIV of France rebuilt this place, ______, his favorite, to increase the perception of divinity, kingship, and pageantry.

Versailles

The __________ era of 17th and 18th century art is full of emotion, energy, and movement. Works of art characterized by the use of bright colors, extreme contrast of light and dark, and rich ornamentation.

Baroque

In Entombment of Christ what is the effect of Caravaggio's depiction of the stone slab covering Christ's tomb?

It projects forward directly involving viewers in the action of scene.

The painter of the American Revolution

John Singleton Copley

The artwork of Jacques Louis David and John Singleton Copley share what traits?

Linear and subtle modeling

The success of Jacques-Louis David's The Oath of the Horatii was emblematic of the departure of Rococo and the arrival of ____________, the official style of Revolution

Neoclassicism

__________ was the official style of art of the French Revolution.

Neoclassicism

The term Rococo is an extension on the word Baroque and is French for

rocks and shells

A Dutch genre painting features

scenes of everyday life

This self portrait of Elisabeth Vigee Lebrun reflects her

successful career as a painter

This self portrait of Elizabeth Vigee Lebrun reflects her

successful career as a painter

The life of St. Theresa the subject matter of Gianiorenzo Bernini's St. Theresa in Ecstacy was closely associated with what contemporaneous political and religious movement?

the counter-reformation

The Baroque qualities of the Hall of Mirrors in the Palace of Versailles are

the opulent decoration and grand scale

French Baroque painting shared which quality with Italian Baroque painting

theatricality and grandeur

In 1787, Elisabeth Vigee Lebrun painted this portrait of Marie Antoinette and her children for what specific purpose?

to foster good will and positive sentiment for the Queen and royal family

To push the figures forward and heighten a sense of drama Italian Baroque painters

used deep shadows in the background


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